Who’s who at Design@HEART 2019

Just two days to go!

10am-4pm at Headingley HEART Centre, Bennett Road, Headingley, Leeds LS6 3HN

Here’s a round up of our artists and craftspeople.  We have some old favourites but plenty of new stalls too.  We hope to see you there!

 

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Inkylinky by Liz Samways

I’m a Leeds-based jeweller and printmaker, working primarily in silver and copper which is etched & engraved using techniques commonly found in printmaking. My work is inspired by the landscape, as viewed on a flat plane through the train window and aerial views, and is influenced by English landscape painters, printmakers, & surface-pattern designers, as well as my background in garden design. I love the textures, mark-making and unpredictability of the printmaking techniques I use, which I also translate into my jewellery and metal pictures to make pieces which will never be identical.

Where appropriate, I like to add colour using traditional materials – patination recipes, vitreous enamels, and sepia ink. Exploring the chemistry of these processes in itself provides inspiration which means life is never dull!

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Carbon Art by Ceri Wood

I am a Horsforth-based artist specialising in pencil-drawn bespoke maps and landscapes of the local area.

I have always loved monochrome art and the striking effects that can be achieved from simple media such as pen and pencil.

Pencil has always been my favourite medium and I have recently diversified from drawing landscapes to creating personalised maps of people’s favourite locations. The maps developed from wanting to create mementos that represent special places, but in a unique way that differs from anything else.

Commissions so far have ranged from counties to countries and have celebrated occasions such as births, engagements and weddings. It’s always exciting to find out what location I’m going to draw next, and my geography is improving with each commission!

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TM Vintage Leeds

I started TMVintageLeeds back in 2016 from a love of old cameras, I am really a huge photography fan and it seems that a lot of old cameras become neglected and unused. I took this thought as an opportunity to turn them into something that I love and that other people can use and love too!
The box brownies have a lovely form and are so aesthetically pleasing to me that I thought they would make beautiful lamps.  This initially started out with me making them for friends and relatives, morphed into the small craft business today. I love providing things at a reasonable cost so others can love them as much as I do.  This is more therapy for myself rather than a business and I love working with beautiful items….and then I found more things that I love that are neglected, forgotten about or simply just unloved.

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THE Creative S P A C E

I create individual handmade books, blank ones with beautiful covers and creative ones with my poems or quotes in.  Books are touchable art, and I enjoy making stand-alone pieces, which are functional as beautiful notebooks, sketchbooks or journals. I embellish covers with machine and hand embroidery.

I use recycled paper and reuse packaging and my aim is to recycle completely once my current materials are used up, making my own ribbon and reusing paper from junk mail for the covers. Each book is hand sewn and finished.

A lifetime’s love of words, books, paper and making is now converted into a business. I also sell cards of my own designs.  As an art student I was told I couldn’t draw, so I made instead (sewing, dressmaking, embroidery, jewellery, anything craft-based) and I bring these skills to my books.

I teach mindfulness and creativity workshops and incorporate a loving and attentive approach to everything I create.

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Creation Crafts

Lampshades using beautiful japanese papers

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Goss Bag by Annie Lawson

I am a cartoonist who has progressed into ‘cartooning in wool’. My knitted phone cases are flip-top design and are sturdy, being each one knitted by myself. There are also ‘key slugs’ to keep bunches of keys in, and knitted bumblebees that have not use other than embellishment. I have also recently added fabric holdalls to the sturdy bag range. My drawn cartoons also feature, in the form of greeting cards printed at home on elephant dung paper. I love making useful things that are beautiful and often humorous. ‘Keep it Material’ is my motto – I keep to a small phone! My studio is with East Street Arts in Leeds.

 

 

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Sarah Dunton

I am a potter, printmaker, painter, illustrator and gardener. I originally trained as a fine artist at Leeds University, and since then I have continually worked as a painter and maker. I gain my inspiration from the natural world – plants and birds – and I also love to make images of people at peace and enjoying their gardens. This inspiration is a thread running through all the media in which I work. I learned to make pots at the Swarthmore Centre and now make these at home in my studio, hand-building my pots, so no two are the same. They tend to be decorated with birds and leaves. I have made many pieces to commission, including illustrations for the health service. pots for wedding presents, and paintings as gifts.

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Amy Jade Prints

I use traditional printing methods to create fine art prints and products. These are often inspired by folklore, mythology and natural history.

After graduating with a degree in Illustration and Animation from Loughborough University I moved back to Yorkshire where I continued to experiment with technique, materials and design.

My process starts with a pencil drawing, which is then transferred onto lino before carving and printing. This hands on process means every piece is unique.

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Badgers Garden

We used to have a naughty dog called Badger and if ever he didn’t come when called, we knew he would be eating the best raspberries from the canes. We started to make jam from those raspberries to gift to friends and family. As time past we grew more fruit and vegetables and that’s how we started.

Badger is no longer with us but we still grow produce in his garden that we use to turn into jams and chutneys. We have a wide selection of flavours to suit most tastes and we love to experiment with new ingredients.
Our spoon full of wonder is from garden to jar.

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Rogers Ink

Carolyn Hird-Rogers, the artist and designer behind Rogers Ink is inspired by the dramatic landscape of the Yorkshire countryside and a love of mid 20th century Scandinavian surface pattern design. The moods of the Dales and Moors are expressed in the mono-print technique used to create hand inked papers. These unique papers are cut and collaged to build large landscape images and smaller greeting cards. The windswept and hill top stands of trees, cow parsley and dandelions are stylised, digitally drawn, printed, hand cut and added to the landscapes. These digital drawings then find there way into strong coloured landscapes on small notecards, beautifully presented in boxed sets of eight.

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Silver Moon Glass

I am a Leeds based designer maker working in fused, leaded and copper foiled stained glass from my local studio. My background in 3D Design (BA Hons) and Fine Jewellery (City & Guilds) compliments my studies and work in the various glass techniques I use. Much of my work is influenced by a lifelong passion for wildlife and nature, inspiration comes from observing colour, light, form, pattern and texture. As a keen photographer, I often reference my own images of seascapes, landscapes and wildlife, before translating the subject into glass. Powders, frits, stained glass and traditional stained-glass painting are used, each texture and colour carefully chosen to compliment the subject and create a well-balanced finished piece.

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AJC Paper Art

I am a self taught paper cutter with a background in Design and Printmaking. When creating a new design I seek inspiration from contemporary surface and pattern design and combines this with a fascination for the detail in old botanical illustrations.
The depth in my 3 dimensional work is created by layering intricately cut sheets of paper, and depict woodland animals and birds in their natural habitat. I then emboss and curl the feathers to give the subject more body.
I am currently experimenting with LEDs to light some of my larger pieces, which adds an element of design to my work.

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Silver and Sparkle

I set up Silver and Sparkle in 2006. I work from my small studio in West Yorkshire, designing and making my own range of jewellery and other objects primarily, but not exclusively, in silver.

Whilst I am primarily self-taught, I undertook an initial course at the Yorkshire Craft Centre and each year I attend a week-long in-depth Silversmithing Courses at West Dean College in Sussex to refresh and hone my skills.

I particularly specialise in making hand-forged geometric-shaped links for pendants, necklaces, earrings and bracelets.

To compliment the silver I also use semi precious stones, freshwater pearls and Swarovski crystals.

I do find it difficult to pin down where the inspiration for my designs comes from, but the many hours spent walking in the Yorkshire Dales and our local woodlands have a significant influence on my work.

I have exhibited several times at the annual British Craft Trade Fair and a number of exhibitions within Yorkshire. I currently sell my work at various Country Shows and Art, Craft & Design events, as well as through a number of galleries throughout the UK.

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Now Then Sunshine

I’m a hand-lettering artist who creates cards and wall art from original watercolour paintings. I use hand-drawn fonts to bring quotes, phrases and slogans to life: sometimes with a Yorkshire theme, often with positive, empowering messages, always to make people smile. I’ve also recently started using nature in my work, combining leaf illustrations with hand-lettered words.

I’ve worked with many media but have always returned to watercolours for their bright colours, their ability to blend beautifully and splat chaotically. My wall art is printed on paper chosen specifically for how it makes the colours sing.

I’m a big believer in looking after our world. All my cards are printed on recycled stock with eco-friendly toner and card bags are made from corn starch. My wooden bauble Christmas cards were developed from my desire to make something that could be reused instead of thrown away – and they’ve become a real best-seller!

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Alice and Stars

I am a jewellery designer and maker working from my home studio in North Leeds.

I work primarily in sterling silver, using traditional silversmithing techniques, but I also love the visual contrast when using different metals together. I incorporate copper, brass and gold into some designs to add this contrast.

Many of my designs are inspired by the celestial, incorporating moons, stars, planets and ethereal gemstones, such as moonstone.
Others are inspired by the beauty in nature, and many include the blues and greens of sea and sky.

I love texturing the metals I use, with hammers, stamps and sanding tools. It’s interesting to play with the way the light reflects on the surface according to the different finishes.

I have recently added some enamel pieces to my collection, indulging my love of colour. These pieces are fun, fashionable and affordable. I like to experiment with Pantone colour trends, and this year has been all about “living coral” and “bachelor button” (blue). Expect a more rich bold colour palette for autumn/winter enamels, including cranberry, coffee, and deep galaxy blue.

Above all my jewellery is designed to make you feel good, whether wearing it, admiring it or giving it to someone as a gift. If this aim is achieved most of the time, I’m happy!

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Lucy Tomlinson Art

I am a self-taught artist, living in Rawdon, and surrounded by the beautiful Yorkshire Countryside, which is where I get most of my inspiration.

I predominantly work in watercolour, most commonly wildlife, hares, bees and flowers. I love to paint them in different colours to their natural state. I also have an addiction for Abstract Acrylic Pour Paintings. They are just fabulous to create, if a bit messy. Due to the process and the many ways or “pouring” each one is completely unique. My studio (kitchen and dining room) are full of them, either drying, waiting to be varnished or the finished item and I often post videos of the process on my Instagram site.

I decided to have some of my images printed by local companies to make notebooks and cards, since then I have branched out into phone cases, chopping boards, cushions and coasters.

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Charlotte Luisa

Charlotte Luisa was set up by, Charlotte, a lifelong fabric addict. Charlotte’s bags have a focus on colour and texture. New designs are thoroughly tested to make sure they not only look and feel beautiful but are useful too.

Each piece is designed and handmade in her studio at the historic A.W.Hainsworth Mill. Charlotte Luisa bags are made from carefully sourced materials and where possible, unloved and end of line fabrics which means they are sustainable, ethical and sweatshop free. Materials include vegan leather, leather rescued from the interiors industry, cottons and wools all in a gorgeous colours and patterns.

The range includes clutches, purses, laptop bags, cross body bags totes and new for this year, phone pouches. Many of the designs are limited edition and bespoke pieces.

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Wychbury Designs

I’m a textile artist based in Bingley and I make jewellery, accessories and artwork inspired by my love of sewing.

I use hand stitched embroidery, patchwork and visible mending techniqes to make tactile, wearable pieces designed to be useful as well as attractive. I love to work in miniature and often incorporate tiny pincushions into my brooches and rings.

I practice an almost compulsive adherance to the old adage “Waste not, want not” and use up even the tiniest scraps of cloth and never throw anything away.

I work mainly with recycled and gifted fabrics and I try to continue the stories of well loved textiles with my own stitches. I am a proud member of Airedale Branch of the Embroiderers’ Guild and receive knowledge and stories in abundance from my fellow stitchers. I try to pass on a little of our shared belief that “Sewing Mends the Soul” though my pieces.

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Jenny O’Neil Jewellery

I use sterling silver sheet and wire, texture by hand and forge one off unique pieces of jewellery. I also use gold accents and gemstones to complete my pieces. A real mix of contemporary and artistan styles.

Often inspired by nature you find a lot of leaf motives in my work and some using textures that I find from nature. You’ll also find a real mixture of statement pieces with more subtle pieces – something for everyone.

I source my gemstones from reputable dealers and love free form faceted stones which catch the light and have unique colourings. This often means I’ll never repeat a piece of jewellery with the same gemstones twice. I love the colour the gemstones bring to my pieces.

Alice and Stars

Alice Albentosa has definitely got her feet under the table at Design@HEART now and we are so glad to have her her next month.  Design@HEART this year is on Saturday 9th November,  Headingley HEART, Bennet Road, Headingley, 10am-4pm.

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I am a jewellery designer and maker working from my home studio in North Leeds.

I work primarily in sterling silver, using traditional silversmithing techniques, but I also love the visual contrast when using different metals together. I incorporate copper, brass and gold into some designs to add this contrast.

Many of my designs are inspired by the celestial, incorporating moons, stars, planets and ethereal gemstones, such as moonstone.
Others are inspired by the beauty in nature, and many include the blues and greens of sea and sky.

I love texturing the metals I use, with hammers, stamps and sanding tools. It’s interesting to play with the way the light reflects on the surface according to the different finishes.

I have recently added some enamel pieces to my collection, indulging my love of colour. These pieces are fun, fashionable and affordable. I like to experiment with Pantone colour trends, and this year has been all about “living coral” and “bachelor button” (blue). Expect a more rich bold colour palette for autumn/winter enamels, including cranberry, coffee, and deep galaxy blue.

Above all my jewellery is designed to make you feel good, whether wearing it, admiring it or giving it to someone as a gift. If this aim is achieved most of the time, I’m happy!

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Rogers Ink

Rogers Ink1

Carolyn Hird-Rogers, the artist and designer behind Rogers Ink is inspired by the dramatic landscape of the Yorkshire countryside and a love of mid 20th century Scandinavian surface pattern design. The moods of the Dales and Moors are expressed in the mono-print technique used to create hand inked papers. These unique papers are cut and collaged to build large landscape images and smaller greeting cards. The windswept and hill top stands of trees, cow parsley and dandelions are stylised, digitally drawn, printed, hand cut and added to the landscapes. These digital drawings then find there way into strong coloured landscapes on small notecards, beautifully presented in boxed sets of eight.

Rogers Ink2

Sarah Dunton

If you’ve been to Design@HEART for the last couple of years you’ll have met Sarah Dunton.  Her ceramics and prints have prooved very popular.  She’s back again on 9th November, so here she is talking about her work:

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I am a potter, printmaker, painter, illustrator and gardener. I originally trained as a fine artist at Leeds University, and since then I have continually worked as a painter and maker. I gain my inspiration from the natural world – plants and birds – and I also love to make images of people at peace and enjoying their gardens. This inspiration is a thread running through all the media in which I work. I learned to make pots at the Swarthmore Centre and now make these at home in my studio, hand-building my pots, so no two are the same. They tend to be decorated with birds and leaves. I have made many pieces to commission, including illustrations for the health service. pots for wedding presents, and paintings as gifts.

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TM Vintage Leeds

Brand new to Design@HEART, Tom Mitchell brings his eclectic mix of vintage upcycled lamps.  We think you’ll like them!

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I started TMVintageLeeds back in 2016 from a love of old cameras, I am really a huge photography fan and it seems that a lot of old cameras become neglected and unused. I took this thought as an opportunity to turn them into something that I love and that other people can use and love too!
The box brownies have a lovely form and are so aesthetically pleasing to me that I thought they would make beautiful lamps.  This initially started out with me making them for friends and relatives, morphed into the small craft business today. I love providing things at a reasonable cost so others can love them as much as I do.  This is more therapy for myself rather than a business and I love working with beautiful items….and then I found more things that I love that are neglected, forgotten about or simply just unloved.

For the love of wood

Gavin Edwards is another newcomer to Design@HEART, bringing his interesting and original wood work.  He has had many careers, and his current one draws on all the others, as he tells us in this latest blog.  

Working with wood is my latest career choice, having previously worked as a Cartographer, Field Archaeologist, Archaeological Curator and finally as Museum Collections Manager.  An unconventional background perhaps, but I have always enjoyed working with wood, so I didn’t want to feel that I never had the opportunity to explore where my love of wood might take me.

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My experiences as an archaeologist, as well as working with museum collections, has made me appreciate just how much human material culture and technological development has relied on the physical properties of wood. Indeed, our relationship with trees stretches back to the very origins of our own species, but there is so much more to wood than just its physical properties. There is an intrinsic beauty about its internal structuring, the natural grain and colour, which is something I always hope to enhance and take advantage of through the use of very simple and structured forms.

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I like to use a wide range of native and non-native woods, birch plywood and reclaimed wood to create what I refer to as decorative wall panels rather than ‘wall art’. In most cases the design element of my work is driven by the same desire to highlight and show off the character and quality of the wood, and on occasions it can be an unusual feature in a piece of wood that is the inspiration for the design of the finished piece.

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Bringing out the very best qualities of the wood is achieved by hand sanding down all the surfaces to a very fine level and then applying a hard clear wax finish before further applications of a semi solid wax finish. I do not use varnishes as I want these items to develop their own history by accumulating the dents and scratches of time, which are more easily ‘soften’ by additional applications of wax finish. Again it is the quality and appearance of the wood that matters most, which is why I prefer to use simple forms. The only time I use stains or paint, is when making the baseboards which are measured up and made to support the other pieces of wood that have already been cut and arranged to create the overall design.

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The basic layout and design of some of my pieces can be repeated, but the appearance of each completed one will always be unique due to variations in the wood itself and the hand-crafted nature of its construction.

Heart of Glass

Sarah Wade of Garage Glass Studio is back this December with her charming fused glass products.  We asked her about her making process and how she got started.

My interest in fused glass developed from my interest in stained glass which I did as a hobby for a number of years. At one course I went on there was a kiln and we had a go at fusing glass. I was hooked, and ever since I have been fascinated with the things you can do with glass and a kiln.

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Warm glass or kiln-formed glass is the working of glass by heating it in a kiln. The processes used depend on the temperature reached and range from fusing and slumping to casting but doesn’t go much above 800 degrees centigrade. This differs from hot glass, where the artist works with molten glass with a temperature around 1000 degrees.

For the first few years my interest had to remain a hobby as I had a day job as an accountant, but four years ago I gave up that job and soon afterwards Garage Glass Studio was born. I have two small kilns in our garage and the glass is created there, hence the name.

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I did a City and Guilds level 3 in decorative glass course at night school, and I have been on a number of courses to learn specific techniques of glass making, but other than that I am self taught, adapting techniques I have learnt to create the images that I want to make, and learning how glass performs at different temperatures. I am particularly fascinated by the effects are created through the reactions between the chemicals in different glasses as they heat up.

 

Most of the inspiration for my work comes from the world around me, from the animals and plants that I see in the countryside in West Yorkshire. I love taking my wares to craft fairs and sharing it with people. It feels great when they look at your table and smile.

 

Firing up the kiln

If you have visited Design@HEART before you may well have seen Lindsay Thomas’s work.  Lindsay is a potter, producing eyecatching home decorations using the ancient method of Raku, and incorporating her other love of textiles into her new work.  Here she is talking about her work and methods:

I have been making pots since 1995. I started by attending an evening class and enjoyed it so much I carried on. I was fortunate enough to use an inheritance from my father with which I bought a kiln.

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I was also able to attend two courses that influenced my work and inspired me to try to sell my work. The first course was a weekend in the wilds of Wales with Annie Horner where I learnt to build and fire a Raku kiln and I use this process in my work still.  The second was a week’s course with Peter Beard, an amazing potter who taught me to refine my work and encouraged me to go out and try and sell my work.

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As I loved the Raku process I used this and made work influenced by ancient standing stones and ancient rock art from Ilkley moor. My first selling event was Potfest in the Pens 2000, a show which I have attended every year since. I work from my little studio in my cellar and Raku firing my work in my homemade kiln outside in the garage with my husband being my extra pair of hands.

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Over the years my work has gone through various influences, the main one being natural forms and pebbles found in the beach. The beach theme expanded to beach huts and camper vans and I now include found object found in the beach such as driftwood.

Raku

The Raku process is an ancient Japanese process used to make tea bowls. The work is made, bisque fired, glazed, and then fired again in my Raku Kiln. The Raku kiln is fired to 960degrees then the pots are taken out when red hot and placed in sawdust. This causes a reduction in heat and makes the glaze crackle and any unglazed part turns black.  The pots are then placed in water and cleaned up.

My other love is textiles and my new work is earthenware decorated with oxides and transparent glaze. I use hand dyed yarn by Jean Wildish at Wild Wood Wool to sew rock art designs into the pots.

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Sarah Dunton

Sarah Dunton’s work went down very well last Christmas, so we’re having her back!  Here she is talking about her work:

I am a painter, potter and plant grower – and maker of small objects. I always drew as a child, and went on to study fine art at Leeds University.

My influences and inspirations are manifold, ranging from medieval art with its sturdy practicality, glorious disregard for proportion and delight in decoration, to the 20th century painters Paul Klee and Marc Chagall, whose work is often dreamlike.

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I learnt etching at Leeds, Morley College and Sir John Cass College in London and , much more recently, pottery at Swarthmore College.

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My work is derived from memory of things observed – I try to create calm-inducing and/or tactile work, which usually includes portrayals of birds and plants and occasionally people in their own worlds.

“Everything begins with a pencil!”

One of many new faces at Design@HEART this December is Shaun Vickers, artist and illustrator.  Here, we have a look at his background and his current work, which is sure to strike a chord with many of our shoppers. 

Shaun has always worked within the creative sector, initially trained in Graphic Design in Leicester he was soon illustrating with an airbrush for Athena poster shops back in the 80’s which set him on a path within the greeting card and publishing industry, having successfully freelanced for many years, Shaun joined several top card and publishing companies as Design Manager, Creative Manager through to Art Director overseeing many successful design teams and creating award winning ranges for many high street retailers and grocers.

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Now working from his attic studio in the village of Baildon with expansive views over Baildon Moor, alongside rescued cat ‘Ozzy’ they get wonderful views of nature and life passing by.

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This new venture as ‘Fine Art by Shaun’ allows him the freedom to create his own work without any restrictions, despite being proficient in all medium’s the humble pencil has long been his medium of choice as it allows fine detail to be achieved and the final image to be constructed in a steady controlled manner.

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With a love of all things Nature and Wildlife and given the resurgence of the focus on nature conservation and awareness, pet owner Shaun thought it the right time to marry subject matter with traditional working. To strip the image of colour and focus on the detail and character of the subject matter is really important, as the work continues to evolve so does the variety of situations, poses and formatting for each piece. Whilst he’s passionate about the work he does, his commercial background also focuses on the fact the work has a relevant  appeal and value to the wider public and so mixes pet and equine commissions with the larger wildlife pieces to sell as originals, prints and cards. As well as illustrating all things nature he also works on pet and equine portrait commissions

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This year has seen Shaun exhibit at several town halls and galleries for the first time with his own work, still experimenting with subject matter and formats it’s been a good grounding for the future direction for his next set of illustrations. This year has also seen him showcase his work in all manner of forms at country and craft shows in Yorkshire and his native Leicestershire, meeting new customers, and engaging with other stall holders and building up relationships and friendships through the unique band of ‘Creative Makers’, “I’m really excited for the challenge and opportunities that lie ahead and I’m very much looking forward to attending Decembers Christmas Craft event at Design @ Heart 8th December…see you all there!”

Favourite quote:

“Everything begins with a pencil!”

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