Silver Moon Glass

A new artist for Design@HEART, Lucinda Dransfield works in fused and stained glass:Silver Moon Glass 1

 

I am a Leeds based designer maker working in fused, leaded and copper foiled stained glass from my local studio. My background in 3D Design (BA Hons) and Fine Jewellery (City & Guilds) compliments my studies and work in the various glass techniques I use. Much of my work is influenced by a lifelong passion for wildlife and nature, inspiration comes from observing colour, light, form, pattern and texture. As a keen photographer, I often reference my own images of seascapes, landscapes and wildlife, before translating the subject into glass. Powders, frits, stained glass and traditional stained-glass painting are used, each texture and colour carefully chosen to compliment the subject and create a well-balanced finished piece.

Silver Moon Glass 2

Silver Moon Glass 3

Heart of Glass

Sarah Wade of Garage Glass Studio is back this December with her charming fused glass products.  We asked her about her making process and how she got started.

My interest in fused glass developed from my interest in stained glass which I did as a hobby for a number of years. At one course I went on there was a kiln and we had a go at fusing glass. I was hooked, and ever since I have been fascinated with the things you can do with glass and a kiln.

sarah wade5

Warm glass or kiln-formed glass is the working of glass by heating it in a kiln. The processes used depend on the temperature reached and range from fusing and slumping to casting but doesn’t go much above 800 degrees centigrade. This differs from hot glass, where the artist works with molten glass with a temperature around 1000 degrees.

For the first few years my interest had to remain a hobby as I had a day job as an accountant, but four years ago I gave up that job and soon afterwards Garage Glass Studio was born. I have two small kilns in our garage and the glass is created there, hence the name.

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I did a City and Guilds level 3 in decorative glass course at night school, and I have been on a number of courses to learn specific techniques of glass making, but other than that I am self taught, adapting techniques I have learnt to create the images that I want to make, and learning how glass performs at different temperatures. I am particularly fascinated by the effects are created through the reactions between the chemicals in different glasses as they heat up.

 

Most of the inspiration for my work comes from the world around me, from the animals and plants that I see in the countryside in West Yorkshire. I love taking my wares to craft fairs and sharing it with people. It feels great when they look at your table and smile.