Wychbury Designs

We’re pleased to announce that  Paula Perrins of Wychbury Designs will be at Design@HEART again next week.  Here she is talking a little bit about what makes her tick:

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I’m a textile artist based in Bingley and I make jewellery, accessories and artwork inspired by my love of sewing.

I use hand stitched embroidery, patchwork and visible mending techniqes to make tactile, wearable pieces designed to be useful as well as attractive. I love to work in miniature and often incorporate tiny pincushions into my brooches and rings.

I practice an almost compulsive adherance to the old adage “Waste not, want not” and use up even the tiniest scraps of cloth and never throw anything away.

I work mainly with recycled and gifted fabrics and I try to continue the stories of well loved textiles with my own stitches. I am a proud member of Airedale Branch of the Embroiderers’ Guild and receive knowledge and stories in abundance from my fellow stitchers. I try to pass on a little of our shared belief that “Sewing Mends the Soul” though my pieces.

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Lucy Tomlinson Art

Like all our artists and designers,  Lucy Tomlinson is locally based, and takes her inspiration from our beautiful countryside.

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I am a self-taught artist, living in Rawdon, and surrounded by the beautiful Yorkshire Countryside, which is where I get most of my inspiration.

I predominantly work in watercolour, most commonly wildlife, hares, bees and flowers. I love to paint them in different colours to their natural state. I also have an addiction for Abstract Acrylic Pour Paintings. They are just fabulous to create, if a bit messy. Due to the process and the many ways or “pouring” each one is completely unique. My studio (kitchen and dining room) are full of them, either drying, waiting to be varnished or the finished item and I often post videos of the process on my Instagram site.

I decided to have some of my images printed by local companies to make notebooks and cards, since then I have branched out into phone cases, chopping boards, cushions and coasters.

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Silver Moon Glass

A new artist for Design@HEART, Lucinda Dransfield works in fused and stained glass:Silver Moon Glass 1

 

I am a Leeds based designer maker working in fused, leaded and copper foiled stained glass from my local studio. My background in 3D Design (BA Hons) and Fine Jewellery (City & Guilds) compliments my studies and work in the various glass techniques I use. Much of my work is influenced by a lifelong passion for wildlife and nature, inspiration comes from observing colour, light, form, pattern and texture. As a keen photographer, I often reference my own images of seascapes, landscapes and wildlife, before translating the subject into glass. Powders, frits, stained glass and traditional stained-glass painting are used, each texture and colour carefully chosen to compliment the subject and create a well-balanced finished piece.

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Amy Jade Prints

Amy Jade Prints is Amy Thompson.  She’s a first-timer at Design@HEART and we’re really looking forward to welcoming her and her lovely prints.

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I use traditional printing methods to create fine art prints and products. These are often inspired by folklore, mythology and natural history.

After graduating with a degree in Illustration and Animation from Loughborough University I moved back to Yorkshire where I continued to experiment with technique, materials and design.

My process starts with a pencil drawing, which is then transferred onto lino before carving and printing. This hands on process means every piece is unique.

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Inkylinky by Liz Samways

After several years away, Liz Samways is back at Design@HEART this year, and we can’t wait to see her new jewellery and prints.

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I’m a Leeds-based jeweller and printmaker, working primarily in silver and copper which is etched & engraved using techniques commonly found in printmaking. My work is inspired by the landscape, as viewed on a flat plane through the train window and aerial views, and is influenced by English landscape painters, printmakers, & surface-pattern designers, as well as my background in garden design. I love the textures, mark-making and unpredictability of the printmaking techniques I use, which I also translate into my jewellery and metal pictures to make pieces which will never be identical.

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Where appropriate, I like to add colour using traditional materials – patination recipes, vitreous enamels, and sepia ink. Exploring the chemistry of these processes in itself provides inspiration which means life is never dull!

 

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For the love of wood

Gavin Edwards is another newcomer to Design@HEART, bringing his interesting and original wood work.  He has had many careers, and his current one draws on all the others, as he tells us in this latest blog.  

Working with wood is my latest career choice, having previously worked as a Cartographer, Field Archaeologist, Archaeological Curator and finally as Museum Collections Manager.  An unconventional background perhaps, but I have always enjoyed working with wood, so I didn’t want to feel that I never had the opportunity to explore where my love of wood might take me.

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My experiences as an archaeologist, as well as working with museum collections, has made me appreciate just how much human material culture and technological development has relied on the physical properties of wood. Indeed, our relationship with trees stretches back to the very origins of our own species, but there is so much more to wood than just its physical properties. There is an intrinsic beauty about its internal structuring, the natural grain and colour, which is something I always hope to enhance and take advantage of through the use of very simple and structured forms.

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I like to use a wide range of native and non-native woods, birch plywood and reclaimed wood to create what I refer to as decorative wall panels rather than ‘wall art’. In most cases the design element of my work is driven by the same desire to highlight and show off the character and quality of the wood, and on occasions it can be an unusual feature in a piece of wood that is the inspiration for the design of the finished piece.

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Bringing out the very best qualities of the wood is achieved by hand sanding down all the surfaces to a very fine level and then applying a hard clear wax finish before further applications of a semi solid wax finish. I do not use varnishes as I want these items to develop their own history by accumulating the dents and scratches of time, which are more easily ‘soften’ by additional applications of wax finish. Again it is the quality and appearance of the wood that matters most, which is why I prefer to use simple forms. The only time I use stains or paint, is when making the baseboards which are measured up and made to support the other pieces of wood that have already been cut and arranged to create the overall design.

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The basic layout and design of some of my pieces can be repeated, but the appearance of each completed one will always be unique due to variations in the wood itself and the hand-crafted nature of its construction.

Mei Tai, Bei Dai or Mei Dai? However you spell it, Tag Togs is the place to get them!

Amanda Green of Tag Togs is taking over the blog today to talk about her business making babywear and accessories.  

From a young age I have always sewn things, when I was very young I use to get any scraps of fabric from my mums sewing projects and cut and hand sew them into clothes for my Sindy and Barbie dolls. My mum and nan then taught me how to sew and I started making clothes for myself, I did sewing at school for GCSE and A’Level before it all got grouped in with other design things, I helped make clothes for the school theatre productions, and so it seemed like a natural progression to go to uni and do a textile based degree. The sewing stopped there, the degree I did was technology based with a lot of practical but no sewing. I picked sewing back up about 10 years later when I worked as a factory manager for a pillow and mattress protector manufacturer, the ladies who did all the sewing showed me how to make the products. Now I have moved onto babywear which is a bit more fiddly than making a mattress protector, but it is a lot of fun especially when I go fabric shopping, there is too much choice!

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I started my business after my first child in 2009, the company I worked for closed down, we made mattress protectors and pillows and I ran the business for the owner, once it had closed I decided to start my own business up doing the same thing. This has now progressed onto my babywear brand. I started making the baby carriers in 2013 when my second child was about 6 months old.

I originally went to uni and did a textile technology degree, this included spinning, weaving, CAD, dying and finishing and factory management, I think all these elements of my degree and experience in various companies have helped me to run my own business.
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I have a unit in Milnsbridge, Huddersfield which is great although not ideal, the unit is set out in small offices, I would ideally like one large room with all my sewing machines in together, I am looking at re-designing the layout of the unit which will mean knocking down walls, this is something I am putting off at the moment – the mess!!

The type of baby carrier I make is called a Mei Tai or Bei Dai or Mei Dai. It has a main panel which holds the baby and 2 shoulder straps and a waist strap which ties the carrier to the parent/carer. The carrier can be personalised with a patterned accent panel on the front and the back so this would then make it a completely reversible carrier. I also make baby bags or babywearing bags , and baby clothes which co-ordinate and match the carriers.

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I love being in control of my work hours, (to a certain degree), one of the reasons I wanted to have my own business was to be my own boss and enable me to spend time with my children and attend school events, which is not always possible when you work for someone else.

There’s some aspects of it though, that I’d happily hand over. I find the marketing difficult, I would love someone to come and do all of that bit for me. It can also be a bit lonely sometimes, especially when you need to bounce ideas off someone or ask for someones opinion.

I would like to get my babywear into a few more shops, currently I have some products in 2 local craft shops and would like to increase this and go a bit further afield.

Amanda will be at Design@HEART on this coming Saturday 9th June at Headingley HEART Centre, Bennett Road, Leeds LS6 3HN

For the love of amigurumis

Gilda Gigi Perez Madrid takes over the blog today to talk about her love of creativity and the Japanese art of amigurumi. 

Hello! I’m Gigi and I believe in the power of creativity and enjoyment as a way to create our own reality.  I studied Literature, art therapy, tarot, mandala meditation and many other creative and inspiring technics.  I love nature and its beauty, and I enjoy observing it and get inspired by it!

I started making crocheted friends for myself to enlighten my everyday space, and now I’m very excited to share it with everyone who enjoys the company of cute beings!

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I work mostly from home, looking at the birds chirping outside the window while I crochet or felt in my living room, but sometimes I go to a cafe or library for a change, always looking for inspiration and creative ideas.

My main inspiration is nature and the amazing world that surrounds us. I love animals, flowers, trees, and people, I enjoy long walks and talks, I love to observe and feel connected with other.

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I make ‘amigurumis’ -cute animals and objects made of crochet, like foxes, whales, cats and more-, and felted things as well -woollen shaped birds, flowers and mushrooms and other natural creatures.

I friend taught me to crochet. I wanted to make crocheted flowers and mandalas for decoration, but then I discover the amigurumis technique.  I couldn’t believe the infinite possibilities of creations! all the animals and cute creations I could make with just a hook and some yarn.

The needle felting I learned last year in some classes here in Leeds, and I completely loved how you can create any possible shape from scratch, sculpting and shaping, adding details and everything you can imagine with wool.

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What I love the most about Luna by Gigi is the possibility of making things, of creating anything I want to, like the animals I love and things that makes me happy, using colourful materials. And, of course, the chance to create cute objects that other people can enjoy and share.

I feel that every creation is a part of how I see and enjoy the world. They are my way to share what I enjoy and love the most.

The hardest part of this job for me is to be by myself most of the time. Making crafts is a solitaire work, as you are almost always involved in an individual project. While I love the chance to express my creativity, I sometimes find difficult to deal with the loneliness of the job. I love being with and share with others. That’s why I try to work with others as much as possible, and participate in craft fairs and events, so I can meet other people that could be in a similar situation.

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Gilda will be at Design@HEART Art and Craft Fair on Saturday 9th June at Headingley HEART, Bennett Road, Leeds LS6 3HN,  10am-4pm.

Old Linen and Cups of Tea Round at Emma’s!

In our latest blog-takeover, Emma Mears explains how she swapped a teaching job for a full time career in textile art.

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I began making and creating eight years ago, when I left my career in teaching. I enrolled on several short courses, in felting, drawing and painting, embroidery and textiles and ceramics and basically, never looked back! I applied to go to my local Art College; Cleveland College of Art & Design to study for a Foundation Degree in Applied Arts – ceramics, jewellery and textiles. I really loved textiles and so I decided to study this further and applied for a level 3 City & Guilds qualification in Embroidery and Design.

I started my creative textile art and accessories business Emma Mears Textiles in May of last year.

My textile art is inspired by nature and the countryside, in particular the textures, shapes and colours of wild flowers (but I love garden varieties too). I recreate scenes or landscapes, seascapes and also still life inspired pictures. I absolutely love old books, magazines and journals about flowers, for example the Observer and Wayside and Woodland books, and I am finding I am using these old hand drawn and painted style of images to inspire my own creations and flower designs.
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I like to create unique one off designs and so I vary my techniques quite a lot. My favourites are hand embroidery, applique, collage, broderie perse and free motion embroidery. I also like to mix it up and use both traditional and contemporary techniques together. My work is colourful and textural with a naïve and stylised quality. I love all things old and worn or ‘used’ and so I often incorporate old linen, quilted pieces, embroidered tablecloths, tea tray cloths, handkerchiefs and old clothes or lace into my work. I like the idea of adding something to a piece of cloth that has already been stitched into by another hand and giving it a new lease of life! I am getting quite a hoarder and magpie for old prints and linen! I also like to mix and match old and new materials together to give a contemporary touch to a vintage piece.

I mostly create textile art in the form of pictures, but I also like to make smaller wearable art such as brooches and pendants. I also make a range of small lanterns for tea lights and bespoke lampshades. My range is extending all of the time.
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My main studio is in my home in my spare room. I love my studio and being surrounded by things I have acquired and love. It is my sanctuary. In the summer, I love to stitch outside , so I tend to take over the ‘little blue shed’! I feel very lucky being my own boss and being able to organise my own time, but you really need to be strong with yourself and get into a routine or you can get led astray and not get any work done and drink far too many cups of tea!

My hopes for the future are that I’ll be supplying a handful of small gallery/gift/handcrafted shops, and that I’ll continue to be happy with my work and be inspired. I would love to teach and do regular workshops and share my knowledge and passion for textiles. And I would love to be able to say I am earning a living from my work.

Emma will be at Design@HEART on Saturday 9th June 2018, 10am-4pm, Headingley HEART Centre, Bennett Road, Leeds LS6 3HN.

Craft Recycle

Well, we sure managed to recycle some volume of craft materials on Saturday.  The De-stash sale was an enormous success, with queues at the door come open time, and lots of eager shoppers looking for bargains and inspiration.  Thankyou to all our stall holders who brought with them such fantastic stuff.  We’d love to know what you’re all going to be doing with your new purchases, so do share!