A Passion for Pattern

Preeti Gupta is bringing Pattern Passion back to Design@HEART next week and we can’t wait to see what new designs she’s got in store.  She’s taken over the blog this week to tell us more about her company and work.

Pattern Passion is the home of hand painted and hand drawn patterns inspired by nature which I create lovingly in my studio in Leeds. These designs are digitally printed onto luxury silks to adorn elegant and unique womenswear, scarves, cushions, purses, wristlets and men’s accessories. Great quality digital printing allows all the patterns to capture the original concept and artwork in the finest detail and always retain the handmade natural element. I strive to bring the finest unique wearable and decorative art. Some of the latest additions to my range of products are super soft silk scrunchies, silk headbands, square and long scarves, wristlets, coasters  and ties adorned with new hand painted patterns.

pic 1

 

As far as my memory can take me I have always been a nature lover and always will be. It doesn’t cease to amaze me and inspire. As a child I was naturally drawn to nature. I could sit for hours in silent wonder, literally watching the flowers grow. Little did I know then that I was serving my apprenticeship for my future career.  All artists have many inspirations and mine first came in that garden. My first designs were inspired by that cacophony of colour, so bright, so raw, so vibrant. I have always enjoyed drawing and painting. I grew up to pursue medical profession but realised very soon that my happiness lay in anything to do with painting and drawing. This led me to take up textile design studies in India which I thoroughly enjoyed and practiced for a few years before coming to UK. My inquisitiveness led me to take up BA Honours in Printed Textiles and Surface Pattern Design at Leeds College of Art which was a very enjoyable creative journey. After working for a few high street retailers such as Dorma furnishings, M&S, John Lewis I decided to launch my own brand; Pattern Passion.

POPPIES

I have a little studio at home where I begin with painting or drawing loads of motifs. After that I work on the computer to play around with the painted motifs and create some repeat patterns out of them. These are sent out for digital printing onto silks and then made into various products.

I really enjoy the creative side of my work. I derive a lot of joy, peace and satisfaction from creating my artwork and products. The whole process from research to completion is thoroughly enjoyable. I also find the interaction and connection with my customers very rewarding.

PEACOCK FEATHERS 1

The biggest challenge of running a micro business for me is managing everything alone. Sometimes I feel it’s a bit of a juggle doing everything yourself. It’s about finding the balance between creating, marketing, selling and also having a life.  In a few years’ time I would like Pattern Passion to be known as a brand that can be trusted for great designs and quality. I would love to see it in some top design led shops.

“Probably the thing I enjoy most is playing” Liz Samways talks jewellery and printmaking

Liz Samways’ work will be familiar to those of you who’ve been coming to craft fairs at HEART for a while. A jeweller and print maker, her work reflects her love of landscape and the natural world.   We caught up with her to find out how she got started and her practice.

I’ve always wanted to be a jeweller, ever since visiting Camden Market in my teens and seeing all the jeweller types who had lifestyles which seemed very exotic. While I was doing my ‘real’ jobs it was always there in the background. When my youngest child had gone to nursery I thought I would give it a go professionally.

Liz Samways Headshot Cropped B&W
Before then I had studies History of Art as my first degree, worked in industrical canteens, factories, Asprey on Bond Street, an Estate Agency, in sales and marketing for Royal Mail, and then retrained in horticulture and garden design and as an ESOL teacher. Quite a list!

To a certain extent I’m self taught, but I did evening classes at Leeds College of Art and Swarthmore with Roger Barnes, during the mid-nineties for jewellery, more recently weekend workshops for printmaking. There’s also been a lot of helpful friends offering technical advice and suggestions along the way.

My first makers’ fair was back in 2011. It was quite a landmark, taking my work out there to the public. Since then, there’s been many more memorable moments: getting my work accepted ito the Craft & Design Gallery in Leeds, where for years I had admired other people’s work, and later being invited to take part in their “Walk In The Park” exhibition. Driving over the hills from Skipton back to Leeds after my first “Art In The Pen” event, having met loads of enthusiastic customers, having fellow makers as good friends, and realising I had finally become the sort of person I’d seen at events when I went as a customer; and my first trade fair which was incredibly daunting, but with a lot of help and advice from other makers I managed it and did well.

liz-samways-lunar-enamelled-pendant_1_orig

The most important consideration for me, when designing a piece of jewellery, is wearability! Will the piece stay the ‘right way up’ for instance, in the case of bangles or stud earrings, ….how will it wear over time? Will it feel comfortable on the body? Also, Will it look good up close and from a distance? Is it something I haven’t seen before? Can I see my customer (we should all have one in our mind’s eye) wearing it? And of course, very importantly, is it within my technical capabilities?!

I use engraving, etching and rolling to make the textures in the metals I use, then cut and solder to layer together. Although I do work things out in sketchbooks, I find a lot ends up as lists of words! (working out technical details and the order in which to work). I hardly ever sketch out a finished design which I work towards, it’s usually a more random process. Often I just have bits of cut up and textured metal around me and I play around putting shapes together till something looks good – I maintain that this is a legitimate design technique as I learnt it through my garden design training! To finish the piece and add the darkness I like, I use traditional patination techniques, selectively polished for contrast, and sealed with a wax.

liz-samways-patina-pendant_3
For the enamelling I use a small kiln and build up layers and layers of colour in various combinations, remembering to make notes as, although I use a lot of different colours, they come from a fairly limited and subtle palette so it’s easy to forget what I’ve used! I work in much the same way as I build layers of ink in prints, through overlapping, masking, and sometimes adding in other elements such as metal leaf or wire.

Probably the thing I enjoy most is playing around! The fact that inspiration is everywhere and I have a legitimate business reason for experimenting with shapes and textures, learning new techniques and meeting lots of other creative people.
The thing I’m not so keen on is juggling orders and the logistics of producing several pieces at the same time, though my experience working in various factories in my youth comes in surprisingly handy when planning my working processes.

liz-samways-block-1
I started off because I’m a terrible magpie and I wanted to make things for myself. It was later that it developed into something I thought I could make a successful business out of. I love working in print and jewellery because there are so many ways they influence each other, and I constantly have ideas working both ways. I love the unpredictability of the surfaces involved in both processes.

For the love of amigurumis

Gilda Gigi Perez Madrid takes over the blog today to talk about her love of creativity and the Japanese art of amigurumi. 

Hello! I’m Gigi and I believe in the power of creativity and enjoyment as a way to create our own reality.  I studied Literature, art therapy, tarot, mandala meditation and many other creative and inspiring technics.  I love nature and its beauty, and I enjoy observing it and get inspired by it!

I started making crocheted friends for myself to enlighten my everyday space, and now I’m very excited to share it with everyone who enjoys the company of cute beings!

1

I work mostly from home, looking at the birds chirping outside the window while I crochet or felt in my living room, but sometimes I go to a cafe or library for a change, always looking for inspiration and creative ideas.

My main inspiration is nature and the amazing world that surrounds us. I love animals, flowers, trees, and people, I enjoy long walks and talks, I love to observe and feel connected with other.

IMG_2036

I make ‘amigurumis’ -cute animals and objects made of crochet, like foxes, whales, cats and more-, and felted things as well -woollen shaped birds, flowers and mushrooms and other natural creatures.

I friend taught me to crochet. I wanted to make crocheted flowers and mandalas for decoration, but then I discover the amigurumis technique.  I couldn’t believe the infinite possibilities of creations! all the animals and cute creations I could make with just a hook and some yarn.

The needle felting I learned last year in some classes here in Leeds, and I completely loved how you can create any possible shape from scratch, sculpting and shaping, adding details and everything you can imagine with wool.

FullSizeRender

What I love the most about Luna by Gigi is the possibility of making things, of creating anything I want to, like the animals I love and things that makes me happy, using colourful materials. And, of course, the chance to create cute objects that other people can enjoy and share.

I feel that every creation is a part of how I see and enjoy the world. They are my way to share what I enjoy and love the most.

The hardest part of this job for me is to be by myself most of the time. Making crafts is a solitaire work, as you are almost always involved in an individual project. While I love the chance to express my creativity, I sometimes find difficult to deal with the loneliness of the job. I love being with and share with others. That’s why I try to work with others as much as possible, and participate in craft fairs and events, so I can meet other people that could be in a similar situation.

IMG_3144

Gilda will be at Design@HEART Art and Craft Fair on Saturday 9th June at Headingley HEART, Bennett Road, Leeds LS6 3HN,  10am-4pm.

Old Linen and Cups of Tea Round at Emma’s!

In our latest blog-takeover, Emma Mears explains how she swapped a teaching job for a full time career in textile art.

...a coastal garden...

I began making and creating eight years ago, when I left my career in teaching. I enrolled on several short courses, in felting, drawing and painting, embroidery and textiles and ceramics and basically, never looked back! I applied to go to my local Art College; Cleveland College of Art & Design to study for a Foundation Degree in Applied Arts – ceramics, jewellery and textiles. I really loved textiles and so I decided to study this further and applied for a level 3 City & Guilds qualification in Embroidery and Design.

I started my creative textile art and accessories business Emma Mears Textiles in May of last year.

My textile art is inspired by nature and the countryside, in particular the textures, shapes and colours of wild flowers (but I love garden varieties too). I recreate scenes or landscapes, seascapes and also still life inspired pictures. I absolutely love old books, magazines and journals about flowers, for example the Observer and Wayside and Woodland books, and I am finding I am using these old hand drawn and painted style of images to inspire my own creations and flower designs.
fresh as a daisy framed
I like to create unique one off designs and so I vary my techniques quite a lot. My favourites are hand embroidery, applique, collage, broderie perse and free motion embroidery. I also like to mix it up and use both traditional and contemporary techniques together. My work is colourful and textural with a naïve and stylised quality. I love all things old and worn or ‘used’ and so I often incorporate old linen, quilted pieces, embroidered tablecloths, tea tray cloths, handkerchiefs and old clothes or lace into my work. I like the idea of adding something to a piece of cloth that has already been stitched into by another hand and giving it a new lease of life! I am getting quite a hoarder and magpie for old prints and linen! I also like to mix and match old and new materials together to give a contemporary touch to a vintage piece.

I mostly create textile art in the form of pictures, but I also like to make smaller wearable art such as brooches and pendants. I also make a range of small lanterns for tea lights and bespoke lampshades. My range is extending all of the time.
emma in her studio
My main studio is in my home in my spare room. I love my studio and being surrounded by things I have acquired and love. It is my sanctuary. In the summer, I love to stitch outside , so I tend to take over the ‘little blue shed’! I feel very lucky being my own boss and being able to organise my own time, but you really need to be strong with yourself and get into a routine or you can get led astray and not get any work done and drink far too many cups of tea!

My hopes for the future are that I’ll be supplying a handful of small gallery/gift/handcrafted shops, and that I’ll continue to be happy with my work and be inspired. I would love to teach and do regular workshops and share my knowledge and passion for textiles. And I would love to be able to say I am earning a living from my work.

Emma will be at Design@HEART on Saturday 9th June 2018, 10am-4pm, Headingley HEART Centre, Bennett Road, Leeds LS6 3HN.

Summer is Coming – yes it is!

Design@HEART Summer Fair 9th June HEART Centre, Headingley

OK, so it still feels like winter, and we’ve been threatened with another dumping of snow this week, but there’s some signs of spring, and here at Design@HEART we’ve got our sights set on the summer.

For the first time in a few years, we’re having a summer fair, and we’ve got a lovely line up of stalls for you.  There’s some old favourites and brand new makers and artists too.  We’ll be hearing more about them all in the coming weeks both here and in our Social Media feeds, so don’t forget to follow us on Facebook and Instagram.  But in the meantime, let me see if I can inject some spring fever with newcomers to Design@HEART, Lucy Tomlinson, Emma Mears and Galea Belinscaia.

Lucy Tomlinson

Illustrations by Lucy Thomlinson

Emma Mears

Textile art by Emma Mears

Galea Belinscaia

Ceramics by Galea Belinscaia